Tuesday, 29 March 2011

Deconstruction essay


Referencing ‘Thinking with type’ (Lupton, E, 2008), this essay will investigate how the role and effect of typography used within deconstructive literature, as apposed to normal literature.
Before Guttermann’s Printing press, hand written literacy was the main source for any form of what is classed as the spoken word, and with every individual having a different form of hand writing this gave each piece of literature character due to their individual features and imperfections making no piece of writing the same as another but since the invention of Guttermann’s Press we find that typography started to develop key standards and principles, thus giving typography rules but also the factor of the designer being able to manipulate easier what or how we read.

“Design is as much an act of spacing as an act of mark making. The typographer’s art concerns not only the positive grain of letter forms, but the negative gaps between and around them” – Ong, W (1981) - The Technologizing of the World

Not only did Printing press make designers feel the need to create standardized typefaces but with this came the obsession to have the text as neat as possible, with the kerning and spacing becoming a big factor, thus taking away all characteristics handwriting once had, which left the reader with no imagination for the text that was in front of them, also with the introduction of proper punctuation i.e. full stops and comma’s the text began being read for the reader, were we see the reader reading the text by how it is standardized, thus creating what is known as the death of the author.

Deconstruction becoming popular transformed the written word back to its original function, for the reader to truly understand the text in front of them, for them to absorb the information and really think about it and what message its delivering rather than just reading a block of standardized text.

“The history of typography is marked by the increasingly sophisticated use of space. In the digital age where characters are accessed by keystroke and mouse, not gathered from heavy drawers of manufactured units, space has become more liquid than concrete, and typography has evolved a stable body of objects to a flexible system of attributes” – Manovich, L, (2002) – The language of New Media

Designers began to create for the viewer a manipulated interpretation of the text by using new innovative structures and layouts to change the viewer’s mindset and thoughts.



The piece of design I have chosen to focus upon is one of Weingarts which I cannot find the full information for, it is a really nice example of how deconstruction can be used with typography so the reader may decide where to begin and also how they take in the information, this particular piece of design leaves the exploring completely up to the reader letting them discover their own start and finish to the text and letting them find their own interpretation for the text, there are some interesting uses of alignments and layouts in the poster also leaving it with a nice individual design.

Deconstruction essay


Referencing ‘Thinking with type’ (Lupton, E, 2008), this essay will investigate how the role and effect of typography used within deconstructive literature, as apposed to normal literature.
Before Guttermann’s Printing press, hand written literacy was the main source for any form of what is classed as the spoken word, and with every individual having a different form of hand writing this gave each piece of literature character due to their individual features and imperfections making no piece of writing the same as another but since the invention of Guttermann’s Press we find that typography started to develop key standards and principles, thus giving typography rules but also the factor of the designer being able to manipulate easier what or how we read.

“Design is as much an act of spacing as an act of mark making. The typographer’s art concerns not only the positive grain of letter forms, but the negative gaps between and around them” – Ong, W (1981) - The Technologizing of the World

Not only did Printing press make designers feel the need to create standardized typefaces but with this came the obsession to have the text as neat as possible, with the kerning and spacing becoming a big factor, thus taking away all characteristics handwriting once had, which left the reader with no imagination for the text that was in front of them, also with the introduction of proper punctuation i.e. full stops and comma’s the text began being read for the reader, were we see the reader reading the text by how it is standardized, thus creating what is known as the death of the author.

Deconstruction becoming popular transformed the written word back to its original function, for the reader to truly understand the text in front of them, for them to absorb the information and really think about it and what message its delivering rather than just reading a block of standardized text.

“The history of typography is marked by the increasingly sophisticated use of space. In the digital age where characters are accessed by keystroke and mouse, not gathered from heavy drawers of manufactured units, space has become more liquid than concrete, and typography has evolved a stable body of objects to a flexible system of attributes” – Manovich, L, (2002) – The language of New Media

Designers began to create for the viewer a manipulated interpretation of the text by using new innovative structures and layouts to change the viewer’s mindset and thoughts.



The piece of design I have chosen to focus upon is one of Weingarts which I cannot find the full information for, it is a really nice example of how deconstruction can be used with typography so the reader may decide where to begin and also how they take in the information, this particular piece of design leaves the exploring completely up to the reader letting them discover their own start and finish to the text and letting them find their own interpretation for the text, there are some interesting uses of alignments and layouts in the poster also leaving it with a nice individual design.

Analysing Avant-Garde


Avant-Garde

Avant-garde in graphic design is something new or innovatory exploring a range of different concepts and techniques to deliver a message to a specific audience, in order to create some thing new and/or original, the best examples I found to identify Avant-Gardism were those of ‘Adbusters’, Adbusters is a website creating new and interesting design, with an attention-grabbing feel to it.



With the definition of avant-garde referring to works that are experimental or innovative I felt Adbusters was the fitting source for this term, there were a few examples I found, I chose two poster from their site, one being an advert for Absolute Vodka, the message being that alcohol can cause unwanted tragedies the images, shows a photograph of a car crash crime scene band on the floor besides the crashed cars, the outline of an Absolute Vodka bottle, this image connotes that by drinking Absolute Vodka you could easily end up in a car crash, another detail I noticed with the image was the cars, both cars seem to be what is classed as a ‘boy racer’ car these are usually older model hatch back’s this also goes deeper to connote that it is younger drivers that are the cause for this problem, the main avant-garde feature of this particular piece of design is the shock factor, introducing real life consequences into design is a big part of avant-gardism by making the audience see what they don’t really want to therefore making them think more about their actions.



The second piece of design I found is one humoring men’s fragrance, another interesting image again from Adbusters, this piece goes completely in the opposite direction of any fragrance ad’s and instead of showing aftershave named ‘the one’ for instance, showing an image of a perfect man with a perfect body, they have cleverly titled the design ‘Reality’ and the image is nothing more than an average man with a hairy torso and slightly over weight, again another out of the ordinary way of creating new and exciting design, the humor grabs the audiences attention because its different and unheard of, the individuality and contradicting effect of this design makes it avant-garde.

Friday, 25 March 2011

Advertising Essay



­It could be argued that advertising doesn’t sell a product itself and instead merely changes a person’s perception of happiness in life, in order to make them feel the need to change or better theirs. This essay examines a big part of the advertising market, Alcohol, referencing John Berger and Jeremy Bullmore both of these men see advertising in a completely different way to most people and have some really interesting opinions on how advertising affects the general publics views on life and there selves.
Berger (1972) – Suggests ‘Publicity proposes to each of us in a consumer society, that we change ourselves or our lives by buying something more, this more, publicity persuades us will make us in someway richer even though we will be poorer having spent our money’, in a BBC Documentary on advertising which explores how publicity effects not only our views on our lives but how it affects how we feel about our relationships around us and also other, more important world issues.  John Berger believes that publicity uses various different techniques to change people’s opinion on themselves and they’re surroundings.
He states that ‘Without social envy glamour cannot exist’ meaning if nobody were to be envious there wouldn’t be any need to better your own life and it is thought that this is the main problem of advertising, people want to be what there not, an advert will often promote a lot more than just what its selling we find that there is a whole lifestyle to be bought with a product rather than just what it is for instance apple is one of the main culprits for this, if your buying an Apple Mac then your more than likely buying the creative culture that surrounds it, an alternative way of life invented by Apple and not just the computer.
A certain type of advertising that affects a huge part of our society is alcohol; this essay will discuss how the leading brands influence the general publics mind and also how publicity has changed over time.

 If we look at an advert from 1954 a ‘Miller High Life Beer’ we see it openly publicises itself to an audience of elegancy and culture that attend stylish, buffet parties, the title is written in a graceful font and reads ‘Traditionally the Finest’, we then find a woman preparing an exquisite buffet with some quite rare foods, surrounded by artistic and cultural ornaments in a modern room, now while the ad is showing a nice smart formal buffet being held by somebody else it is connoting that the brand of beer ‘Miller’ is to be thanked for this and that if you purchase their product you may be able to host or even attend a party like this, thus making your life happier and creating an appearance of sophistication for you.
‘Publicity suggest our life will be different from what it is’ (Berger, 1972)
A lot of alcohol publicity in the 50’s used the same scenarios and situations to sell their alcohol product and a fair bit has changed since then.
The main audience alcohol publicity targets is those throwing parties or having guest, even today’s adverts do the same only the closer to the present we get the more the target audience becomes younger, the aim 30 or 40 years ago was to make the audience want to impress their company, to boast of their richness, elegance or sophistication, even though not alcohol holds non of these characteristics.

If we look at a Smirnoff advert just thirteen years on we find similar connotations within, In ‘Don’t darling me if its not Smirnoff’, we see signified a very elegant, beautiful woman, covered with diamonds and wearing a gorgeous white wedding dress, and straight away this will have attracted both male and female audiences, the males because she’s striking but more importantly the females, Foster (2001) argues that advertising ‘persuades the consumer that they need the product by making them “feel dissatisfied or inadequate”’. The advert makes women want to be in her position, make them want to better their own life and become this rich, beautiful woman they see, there is a quote underneath that reads ‘Don’t darling me if its not Smirnoff’ this connotes that if you buy this brand then you will be as rich and as powerful as the woman in the picture, another interesting part of this advert I found was a paragraph written at the bottom that says ‘your guests expect Smirnoff just as Zsa Zsa does, for a very simple reason, it makes a better drink.’ This is what is known as a social code, or a myth an understanding by a collection of people that by drinking Smirnoff you belong to a group of women that are elegant, beautiful and can demand what they want.
It then goes on to say ‘filtered through 14,000 pounds of charcoal’ non of the general public understands why its filtered through charcoal but the fact they say ‘filtered through charcoal’ and use a great number such as 14,000 the audience assumes that it is incredibly pure and therefore better.
‘We all know what you make – but are you as certain what your customers are buying?’ a question posed to new business men by Jeremy Bullmore – Polishing the apples
When looking at newer ad’s for alcohol we seem to find that they steer away from elegance, grace and sophistication a see that the audience has changed, twenty or thirty years ago the main consumers of alcohol were adults who enjoyed social gatherings with close friends and to enjoy a drink, in more modern times we find that younger and younger people are drinking therefore the alcohol publicity audience has changed to a more youthful, fun point of view, we no longer see adverts showing elegant social gatherings, the once tasteful advert for Smirnoff in the 1970’s has been replaced by an advert of excitement and entertainment, instead of offering grace and complexity its offering adventure and something new.
Taking a look at the new 2009 Smirnoff adverts ‘Be There’; everything just mentioned can be found, the video starts of with a mixed group of males and females in their mid twenties, smiling an having a laugh with each other, already appealing to a younger audience, the video goes on to show them having a very adventures party outside involving a slip and slide, sprinklers an Smirnoff, now the Smirnoff Is only shown once in the entire video, I believe this shows that it is in fact the lifestyle the advert is selling an not just the product, a short quote comes into the video that says ‘I don’t know why we did it I guess we just did it because we were bored’ this is cleverly connoting that Smirnoff will solve your being bored, they use a voice over quote to make the audience feel more involved with the advert as though your questioning as to why there being so adventurous and exciting and they answer it, although they answer with a question it is connoting that Smirnoff is the reason for this amazing night.
To conclude I feel that advertising is in fact selling a better way of life therefore making the audience feel theirs is inadequate thus not selling the product at all just changing the state of the audiences mind, but as long as one brand does it they all will and it all comes down to social envy if there wasn’t any social envy in the world there wouldn’t be any need to better your own life you would accept it and carry on, I wouldn’t go as far to say advertising is evil because it simply has to do what it does to sell its brand
It seems that with adverts never just sell a product and always have to try and give something away with it, i.e. a lifestyle and I do not believe big brands will ever stop this technique of selling because it truly does work too well, almost every person in the world wants to fit into a crowd that wants more. The main way we know this is because if you have any close friends that purchase new items the chances are there going to want you to see them, this shows that they aren’t only buying the way of life but they’re buying the product in fact for the their friends, just to brag of their income or stylishness.

Bibliography
http://www.aber.ac.uk/media/Students/mff9901.html  - Foster, E (2001) - A Semiotic analysis of alcohol commercials
Berger, J (1972), Ways of seeing
Bullmore, J Polished apples
O’ Shaughnessy, J, & O’ Shaughnessy, N.J (2004), ‘Persuasion in Advertising’, Taylor & Francis e-library
‘The Looking Glass-Advertising; ‘The Art of Persuasion- SEG 2’ (DawnNews TV, n.d, www.youtube.com)
 - Smirnoff - ‘don’t darling me if its not Smirnoff’ advert.
 ­­- Millers advert.

5 Images of Modernity

Modernism in Graphic Design is:

  • Photo montage 
  • The use of abstract colours
  • Simple composition
  • Simple shapes
  • Able to be mass produced




This piece of graphic design is a prime example of modernism, its use of bold shapes and colours with a simple layout make it a beautiful piece of design.
(unknown)





Again another good example of modernism the shapes and layout used show it could easily be screen printed and mass produced. Allner,W (?), Fortune 


Schmid,M (1959), geig

(unknown)

Semiotics Seminar

Semiotics is the science of studying signs

a word
an arrangement of letters
colours
noises

all these can be signs

studying how things mean not what things mean

Ferdinand de Sausse (swiss linguist)

semiotics is about readings cultural codes

systems of signs that link together to create means of communications

fashion reads as a long

all codes rely on a shared knowledge


the word 'Dog' has no relation to an actual dog..people just agreed that dog means dog.

there is no logical between signifier and signified

the signifier - sound image

the signified - mental concept

the relationship is obituary


this is why the more you say or see a word the less meaning it has


typeface is a very important signifier i.e elegant type, aggressive type..BOLD = strong

type needs to signify what its saying.

Modernism in Design Lecture

Lecture 3 Modernism in design

Anti-historicism (not looking back)

Truth to materialism – no need to disguise things

Form follows function
technology
internationalism

Bauhaus cultury (form follows function)

Ornament is crime Adolf loos (1908)
Basic Knife fork etc.

Bauhaus main site of moderist design

Brought in san serifs

Bauhaus shut down by nazis

Modernist design, things being mass produced, New materials being used

Internationalism

A language of design understandable by any one

Hary beck London underfround map 1933
Simple not accurate  but easy to follow

Herbert vayers sans serif type

1932 times new roamd
fraktur font 1930’s
modern is not neutral is suggest novelty and improvement

FORM FOLLOWS FUNCTION